Based on the Freudian theory of the self, humans are compromised of inner experiences, or unconscious experiences, and outer experiences defined as conscious experiences. More specifically, the names of the terms given to explain such experiences are the id, superego, and ego. The id is the collection of unconscious drives, falling chiefly into two categories. They consist of Eros, which is the urge to reproduce sexually, and Thantos, being the urge to die and destroy. It is also driven by the pleasure principle where one wants to move toward what is pleasant and avoid that which is unpleasant. Simply stated, it is the will and the core of what one really wants. Next, the superego is the collection of ideas about behavior derived from external sources, often tied to "taboos" and "inhibitions". It is where acceptable "codes" are constantly being reiterated to enforce people not to act directly from the id. Finally, the ego is the "individually formed self" created through the conflict between the id (inner urges) and the superego (social forces). It had the same fundamental drive as id, although is it the judging point of balance between the id and the superego. Additionally, since the interface between the superego and the id is the ego, this is when and where Art occurs.
On another note, it is been explained that we are not individually experiencing other peoples emotions. Therefore, we are not responsible for the emotions and actions of others. There is a separation between the inner experiences of the self and the outer world. The outer experience is a narrower field than the inner experience. This is a profound concept that one should not easily forget. You are only responsible for yourself.
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I hope that I did not say that the ego is the locus of art. It is, to some degree, a place in which artistic activity might occur, however, for Freud, much of the origin of art, the motivation of art, the source of art, is really in the id. However, this force and motivation is colored, conditioned, modified, buy the action of the superego, and channeled in the ego. So, in appearance, the ego may be the "producer" of art, but in "reality", in the Freudian vision, the business is more complex and less focused.
I've begun to wonder, too, whether the thanatos drive is so much the urge to die as the recognition of mortality and the throwing of oneself into a process careless of the result because one understands one's inevitable mortality. This somehow makes more sense to me than a drive simply to die.
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